I’m working on my third novel, back to putting in a minimum of 1000 words a day.
I’ve found a new rhythm that’s working quite well: I get up at 6:00 a.m. and go for a walk, about a mile. Come back, make coffee, sit down, and continue with my work-in-progress. I do all this BEFORE looking at email and BEFORE checking reviews, Amazon ranking, etc. This is key. It’s easy to get lost in some of that stuff.
I can crank out 1000 fairly polished words in two hours max — and this includes room for coffee refills and staring off into space and thinking, which qualifies as work, since the brain is still firing, and the images from the story still moving in my head.
What’s great about this method, for me, is that I can start the rest of my day around 9:00 along with the rest of world and not feel any resentment since I’ve gotten my pages in. I’m heading towards phasing out my copywriting business by the end of the year (if not before), but I still maintain a few clients right now during this transitional time, clients who deserve my full attention since they’re paying me good money to give it my all.
Luckily, because my client list is smaller now, I have room for the marketing of my creative writing “business” (selling books is a business) and, often, extra time to put in another healthy dose of words to the WIP.
That’s key, too. Anything extra that goes above and beyond the 1000 words a day is great, but not required since I believe a big part of life has to be left for living: reading, exploring, going to movies and museums, having lunch with friends, spending time with family, sitting quietly on my balcony with a cup of coffee or tea or cocktail and listening to the wind, to the old man in my building who walks his little dog named Maggie in the parking lot below my veranda, to the birds and other critters in the woods across the way.
I love this time, when the work is so new and surprising, when the characters come alive before my eyes at the behest of my fingertips on the keyboard. I’m not sure if this will be the “it” novel; I started two different works in between Forgotten April and What Happened in Granite Creek, but I’m thinking it is. I don’t do a formal outline, but I guess I have a mental one. I have to sit with an idea for a bit, a skeleton plot forming, since I’m one of those writers who needs a destination to write towards, even if it changes along the way. But this “marinating” time makes for easy writing when I finally sit down to draft, the words and story tumbling forth.
Every day, I give several prayers of thanks, so grateful that I get to do this for a living.
Tell me, do you have a rhythm method for the work you do?