I’m excited to announce my latest short story, “Crush,” is now available for download on Kindles and Nooks (you’ll need the Nook app or Kindle app for your iPad since the iBookstore is backlogged — hope it goes live on there soon). And yes, it’s a buck or less (depending on where you buy it).
If you have another eReader that uses ePub files, you can side load from Lulu. And if you don’t have an eReader, you can download the PDF.
Here’s the eBook trailer — make sure your speakers are up:
Some background on the story’s genesis: I worked on this story on and off for about four years. Last summer (2010), I finally got it to a point where I thought it was done. I shared it with some beta readers and revised some more.
How’d the story come about? Freak accidents and deaths fascinate me. Four years ago, it seemed like I was hearing about more and more of them. We’re talking those deaths where someone is struck by lightening or killed by a falling coconut (it happens) or injured in a carnival accident or swept away by a rogue wave while standing at a lookout point. All deaths are painful, of course, but the freakish nature of some of these deaths has to mess with the psyches of the surviving family members. Or so I imagined. And thus, the story came about, albeit slowly.
A piece of trivia that may interest only me: I use Animoto to create my book trailers. It’s web-based software that’s easy to use, and I don’t have to worry about licensing music since it provides a vast library. The music for this particular trailer is an instrumental piece called “Epiphany” by composer Mark Petrie.
When I saw his name pop up on the piece I selected, I smiled. I met Mark probably eight years ago when he was living in Boston. I wrote one of his early bios (it was one of my early copywriting gigs). He’s in LA now and has quite the career going. The most intriguing part of his “story” is that he was deaf as a young child — he had to undergo a bunch of surgeries to restore his hearing (I don’t know all the particulars). He’s extremely talented, and I think it’s cool that the music I ended up selecting for this trailer was composed by someone I’ve met in real life.